Overview

Rollei Vintage 111 FB glossy 12x16" (30.5x40.6cm) 10 sheets

€32.20
Content: 1.2 m2 (€26.83 / 1 m2)

incl. VAT plus shipping costs

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Rollei Vintage 111 is a variable-contrast black and white silver gelatin photo paper on a fiber... more

Product information Rollei Vintage 111 FB glossy 12x16" (30.5x40.6cm) 10 sheets

Product type (b&w/color): b&w
Paper base: fibre base (FB)
Surface: glossy
Contrast: variable
Paper size (cm): 30,5x40,6cm
Paper size (inch): 12x16
No. of sheets: 10

Rollei Vintage 111 is a variable-contrast black and white silver gelatin photo paper on a fiber base. The contrast can be controlled using color filters during exposure with results ranging from extra soft to ultra hard. Due to its simplicity, this paper is of interest to both hobbyists and professionals. Rollei Vintage 111 fiber-based paper was originally introduced to allow photographers to continue their series started on Agfa Multicontrast 111. When processing Rollei Vintage 111, we recommend a somewhat stronger concentration of Neutol WA (1 + 7) or even better, Rollei RPN because of the higher maximum density. Don’t take our word for it, feel free to read the following expert opinions regarding the quality of this paper.

“Dear MACO photo team, (“[…]”) In my tests with what were largely very tricky negatives, I was impressed by the great quality of the material. It was a pleasure to discover that you can take full advantage of the exposure latitude from extra soft to ultra hard. The paper proved to be "crisp", that is to say you can really work with gradations 1, 2 and 3 and together with the good speed you get rather short exposure times. Even after developing for over 3 minutes I couldn’t detect any grey fogging. The paper is perfectly flat, even after processing and drying the paper it remains wonderfully flat. All in all an excellent photo paper, which with its paper tone is very reminiscent of Agfa Multicontrast Classic 111! Having compared these two papers directly, I can confirm that they are "confusingly similar", and I will now spread this good news to my Agfa-Classic-111 customers. The series that I started on MCC 111, I will now continue on Rollei Vintage 111."

Oliver Rolf (Platinum photo laboratory, Hamburg)

“Dear colleagues, regarding the processing of Rollei Vintage 111 papers: I exposed with Dunco or Kienzle C69 with Heiland Split, on the MCC channel at f 8.00/4.5 sec. filter 3.5 on Agfa MCC 111 as well as Rollei Vintage 111. Developed in Rollei Print Plus (RPP), dilution 1 + 9, developing time 2.5 min., stop, fixer and wash as always. I dried the photographic paper in a hot dry press! Then I compared the two images. More than that, I showed the two images to professional photographers, b&w print labs, etc. All the professionals came to the same Conclusion as me. The difference between Agfa MCC 111 and Rollei Vintage 111 is minimal! The difference is so small, as small as the difference between two batches of the same paper. Nothing more, nothing less. I am convinced!”

Felix Bielser (PUNTO FOTO GROUP by Karl Bielser s.a.s. Milan – Italy)

Related links to Rollei Vintage 111 FB glossy 12x16" (30.5x40.6cm) 10 sheets

Alle auf synthethischer Filmunterlage  begossene Filme sind im Körperschatten, vor... more

Additional information: Rollei Vintage 111 FB glossy 12x16" (30.5x40.6cm) 10 sheets

Alle auf synthethischer Filmunterlage  begossene Filme sind im Körperschatten, vor direkter Sonneneinstrahlung geschützt, in die Kamera einzulegen, bzw. zu entnehmen. Anschliessend sind die belichteten Filme sofort in die schwarze Filmdose einzulegen. Diese ist auch bei einem Versand zum Entwicklungslabor unerlässlich.Direkter Vergleich: Superpan 200 mit und ohne IR Filter Copyrigth Walter Ivenz, Vienna, Austria (für eine größere Darstellung klicken Sie bitte auf das Bild) ohne IR Filter                                                                         mit IR FilterBei diesem Bildbeispiel wird der Unterschied zwischen  einer Aufnahme mit IR Filter und ohne IR Filter deutlich.Eigenschaften: Filmbasis PET 100 Mikron Glasklar, Lichthofschutz in der Emulsion 200 ISO plus/minus 1 Blende Erweiterter Rotbereich bis 750nm Gut 1 Blende mehr bei gleich bleibender oder gar höheren Auflösung Über 180 lp/mm Extra-feines Korn Sehr gute Maximalschwärzen Sehr gute Tonwiedergabe Guter Belichtungsspielraum (zwischen 125 und 250 ISO) Gute Pull-Push-Eigenschaften OptimalePlanlage Transparent = zum Scannen und als Dia 35 mm und 120 Rollfilm Produziert von Agfa-Gevaert N.V. B-2640 Mortsel ? Made in Belgium Testbericht Rollei SUPERPAN 200 PRO Pdf - Download der Entwicklungszeitentabelle: Entwicklungs-Zeiten Technische Daten und Eigenschaften Datenblatt Hinweis: Wegen der niedrigeren Blauemfindlichkeit der Emulsion sind die Aufnahmen mit direktem Blitz  weniger empfindlich. Diese Angabe basiert auf Verwendung eines direkten Blitzes mit einer Farbtemperatur von ca 6500 K.

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