Format: 50,8 x 61,0 cm (20x24")/ 10 BlattDas New Seagull Select VC-FBII Warmton ist ein legendäres Barytpapier für höchste Ansprüche. Eine kontrastvariable Emulsion auf einem extraschwerem Karton, satte Schwärzen und reines Weiss, grösster Tonwertumfang und eine fürs Auge angenehm glänzende Oberfläche plazieren dieses Produkt auf die höchste Stufe der besten S&W Foto-Barytpapiere, die heute noch auf dem Weltmarkt erhältlich sind.
Um optimale Print-Ergebnisse mit diesem herausragendem Barytpaier zu erzielen, empfehlen wir den Papierentwickler Rollei RPN Print Neutral, den Rollei RPW Print Warmton oder den einmaligen Ethol LPD.
DatasheetBy using filters, it is possible to control the tones of the finished New Seagull Select VC-FBII with this variable-contrast print paper. With one type of paper, it is possible to handle a broad range of tones (#0 ~ #5). Similar to New Seagull G which has gained world-wide acclaim, you can reproduce intense white and deep black images. The product is made using baryta paper which will produce elegant prints and can be used for original prints and commercial photographs and works especially well for print archiving.Safelights15W bulbs should be used. A Kodak OC or a Ilford S902 Safelight filter are recommended. The safelight should be at least 1.2 meter from the bed of the enlarger or developer. After exposure, be careful not to expose the emulsion side of the print to light.Light SourceIn the case of VC-FBII, a tungsten or halogen light source can be used. VC-FBII is designed to be usable with a dichroic color head. A magenta light source produces a high contrast and a yellow light source produces low contrast. When using your own dichroic head, do some testing before making a final decision on level of contrast. (Table 1)ExposureCorrect exposure times depend on the characteristics of the negatives being printed. To get good final prints, test prints at various exposure levels should be made first. Exposure times depend on the type of filter being used. For filters ranging from #0 to 3 1/2, prints can be made at about the same exposure times. For #4 ~ #5 filters, exposure times should be 1.5 times that used for the other filters. When using a cool light head, adjustment must be made for the light source and the photographic paper by using adding a Kodak CC Filter-40Y.Sensitivity and GradientISO Speed: P100 ~ P 500ISO Range: R40 ~ R180 Types of Paper
DeveloperFor VC-FBII paper, it is possible to use almost all commercially available developing solutions (D-72, etc.) The developing conditions depend on the chemicals and dilution level of the developer. Care should be taken to avoid over-developing which raises the fog and lowers contrast.
We recommend the use of the paper developer Rollei RPNStop BathFor the stop bath, a solution of 1.5% of glacial acetic acid is used. Time: 15 to 30 seconds. Water: 1 liter Glacial Acetic Acid: 15 ml Fixer Prepared fixer is recommended but, if you are preparing your own fixer, either use an acid hardening fixer containing sodium thiosulfate (hypo) or a rapid fixer containing ammonium thiosulfate. Washing Prints should be washed for 90 minutes. While they are in the bath, take care that the prints do not become placed one on top of the other. If you use a hypo-cleaning agent, washing time can be reduced by half. For shortening washing time, after fixing, wash in running water for five minutes. Then use 2% anhydrous sodium sulfite solution at 20f C for 2~3 minutes and wash in running water for 45 minutes. Drying For drying VC-FBII prints, natural drying should be used. If you are using a Ferro-type dryer, set it at a temperature below 50° C.Toning VC-FBII prints can be toned using in a wide variety of ways. If the objective is to store photographic images for long periods of time, selenium toners are recommended. Storage Always store photographic paper in a cool, dry place. It is also effective to put a desiccant in a package which has been opened to keep the paper dry. The paper should be used quickly after the package has been opened. Be careful to avoid exposing the paper for long periods to a safelight, or letting the emulsion side come into contact with fingers.(Table 1)
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